Slow Burning beatdown disco

Italian newcomer La Tuerie seriously drops the tempo on his debut release for Amsterdam’s Sleazy Beats Recordings, coming up with four slow-burning beatdown disco and boogie tracks that are screaming out for play in sweaty basements or sun-kissed beaches.
«Midnight» sets the levels to sleazy as the strains of the Love Unlimited Orchestra’s «Midnight Groove» lift off the groove. Seriously fattened up and set to a rock-solid 4/4 disco-house rhythm, this is sure to have some serious head-nodding going on. Next up for the chop-n-loop treatment is Donna McGhee’s stupendous soul sizzler «It Ain’t No Big Thing», which appears here as «Big Things». Hot! the deal-sealer for me is «Zanzibar», which takes my favourite boogie-disco cut – Class Action’s «Weekend» – and PITCHES IT WAY DOWN, for a cosmic boogie reinterpretation. Add some well placed filtering, loops and total drop-outs, and you have a summer killer – this is MASSIVE! Last but not least is «Tatsumi». A more upbeat disco groover of unknown original. If you’re into any of the Super Value / Kolour LTD / Small World Disco Edits etc series then you’ll love this record. As usual, this is a strictly limited pressing: no repress, no digital. It’s wax or nothing!


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Lips Service

Following a brief diversion to allow for the release of Dean Mereditch solo project Rhythm Odyssey, Stafford's 
most productive duo are reunited for a new single. It's perhaps a little looser than their greatest work, combining 
that familiar low-end throb with fuzzy vocals, maudlin pianos and scratchy guitars. While solid, it's the accompanying 
remixes that offer more thrills. The real killer comes from Brummie nu-Balaeric types The Main Steam, whose 
Country Fishing Trip version is a delightfully dubbed-out excursion that sounds like early Fleetwood Mac after a trip 
down the Paradise Garage. Leo Zero excels, too, offering up a version that neatly draws out the original's hidden disco chops.



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Gatto fritto [IFEEL 013)

check this out

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6th borough project one night in the borough

Scottish no. 1 Nu-Disco producing duo Graeme ‘The Revenge’ Clark and Craig Smith aka 6th Borough Project present their first full-length album for the well known ‘Delusions Of Grandeur’ label from the UK. And it’s everything you would love to hear from these guys and even more! This album oozes with pure class, and with 14 well crafted tracks to choose from you just know this one’s gonna be BIG..
(Tracklist) 01-)  Intro
 02-)  Let Yourself Go (Live Mix)
 03-)  If The Feelings Right
 04-)  B.U.R.T. (The Journey)
 05-)  Find A Way
 06-)  Back To Me feat. Ricky Reid
 07-)  The Fool
 08-)  Endless Nights
 09-)  Iznae
 10-)  Deep C
 11-)  Changin’
 12-)  B.U.R.T. (Inside) feat. Paul Joseph
 13-)  String-A-Lude
 14-)  Settle


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Onur ENGIN square edit part 1

This first release on Square features some of Onur's finest bits

indeed, kicking off with a chuggy rerub of William DeVaughn's Be

Thankful, which will work a treat on all discerning floors and has

been played all over the place by giants like Greg Wilson and Dicky

Trisco. Next up is a rather fantastic dubby rework of Diana Ross'

Brown Baby. Onur's additional drums and percussion turn this track

into headnodding fodder of the highest order. On the flip we get

two more edits: Gene Harris' As and Joaoa Donato get the Engin

treatment. Both are nice enough and will get you some beaming

smiles on the dancefloor, but it's the tracks on the A side that

will do the real damage this summer.

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VA (Theo Parrish) Ugly Edits Vol. 11

After 6 years Theo Parrish is back with part 11 of his highly prized ‘Ugly Edits’ series. Presenting 2 bottom heavy druggy refixes of some of Parrish’s favourite soul and disco tracks..


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The Shookt - Ghost In The Machine

Lunaflicks co founder Strangefruit aka 50% of the epically awesome Mungolian Jetset teams 
up with fellow Norse nu disco icon Diskjokke on this new project, The Sjukt. 
Essentially translated as 'the sick', Diskjokke and Strangefruit deliver two tracks of disjointed 
digital discotheque delight. "Ghost In The Machine" is the deeper moment; with a chunky 
psychedelic groove, replete with rolling cowbell action, forming amidst a vacuum of spaced out atmospherics. 
It's the robotic funk of "Bug In The Machine" where the partnership really excels: a satisfyingly blunt techno 
stomp is aided and abetted by abrasive sounding riffs, tripped out squeaks and bleeps and extended siren drops. 





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